Burnt the rice? No problem. One common Madagascar dish is Ranon ‘apango or rano vda. Burnt rice water.
Malagasy cooks double the quantity of rice they need for the meal. When it’s cooked, they remove most of the rice from the earthenware pan. The remainder (a layer about 1/2-inch thick) is heated until it’s burnt. Then pour boiling water over the rice. Cool, strain and chill.
The majority of people don’t speak English, so brush up on your French which is the second official language of Madagascar. Otherwise it’s Malagasy all the way.
The main Malagasy phrases
Madagascar Music and Dance
The beauty of traveling in Madagascar is that you’re never sure what you’re going to hear next. The Madagascar music experience is like Forrest Gump’s ‘box of choc-o-lates’: you never know what you’re gonna get. Music is ubiquitous: The national music scene is booming, with artists from all the major regions turning out serious volumes of quality material. But locals retain a fondness for the usual African favorites: reggae, rap, chart hits, French pop, gospel, music, heavy metal, jazz and reggae Congolese
MUSIC BY LALAH RAINDIMBY OUR MARVELOUS MADAGASCAR CONTRIBUTOR: https://myspace.com/tambatra https://myspace.com/tambatra1
The national Madagascar music scene is booming, with artists from with volumes of material of striking quality
The Madagascar music experience is like Forrest Gump’s ‘box of choc-o-lates’: you never know what you’re gonna get.
But locals retain a fondness for the usual African favourites: reggae, rap, chart hits, French pop, gospel, music, heavy metal, jazz and reggae Congolese Lingala and good ol’ country music.
Africa’s biggest homegrown reggae superstar, Lucky Dube is even bigger here than the godfather Bob Marley himself.
Products from Amazon.com
Price: Check on Amazon
The best thing to come out of Madagascar since the lemur is the music. Malagasy music rocks. the rhythms are tight. They combine virtuoso traditional music, tight harmonies, buoyant grooves, infectious melodies, wild instruments, energetic dancing along with challenging, controversial subjects with the energy of punk rock. Malagasy hip hop broke into the mainstream in the mid-nineties and has skyrocketed.
Like the Salegy – a funky, tight, energetic form of dance music dominated by ringing electric guitars. In the kind of touristy clubs where the girls are cheaper than the beer. You’ll find out just how much the Malagasy love to dance. If you’re not a rug-cutter yourself, sit back with a Three Horse Beer and watch all the girls line up and bust their moves in front of the mirror (yes, every club has at least one). And then, just when you think you’ve got a handle on ‘Gasy
If you’re not a rug-cutter yourself, sit back with a Three Horse Beer and watch all the girls line up and bust their moves in front of the mirror (yes, every club has at least one). And then, just when you think you’ve got a handle on ‘Gasy clublife… Glenn Miller – ‘In The Mood’…this happens.in absolutely any club, anywhere in the country, you can guarantee that at some point the music will suddenly segue into jazz dance and the whole crowd will burst into energetic and clearly practiced swing and rock ‘n’ roll routines. Learn a few steps and you’ll probably make friends for life.
And the music isn’t just music. It’s got a big history of political power. Hiragasy troupes were used during the French colonial administration to communicate decrees. Now musos like superstar Rossy’s 1995 song “Lera.”, mobilizes popular support for political efforts.
Malagasy revere ancestors, and ignoring the dead could bring bad luck. Someone who refuses to turn the ancestors denies his identity as a Malagasy. And if the ancestors can intercede with the Creator to bless the living with wealth, health, and happiness or, if mistreated, curse them with unemployment, disease, and misery. People lead good lives so that they, too, will be honored as ancestors some day.
In some famadihanas (funeral traditions), the families take the bodies on a stroll through town, to show the ancestors what is new, and introduce them to children born since they left the tomb. The thinking is that, to help the living, the dead must be familiar with their lives.
Welcome to Africa : #EXPLOREMOTHERLANDAFRICA
Special thank you to Freeway Tours SADC Team: Thandi Brewer, Julie Hall, Jerry Mofokeng (Freeway), Leslie Fong,( SPY) Lalah Raindimby, and MoMo Matsunyane (PADKOS), Neo Matsunyane , Sonto Nhlapo, Alex Mamacos, Makgomotho Ngwasheng, Babalo Mpoyiya In Memory of W.G Robertson